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Christopher Robé (born 1972) is a writer and academic. In 2010, University of Texas Press published ''Left of Hollywood: Cinema, Modernism, and the Emergence of U.S. Radical Film Culture''.〔http://utpress.utexas.edu/index.php/books/roblef〕 A series of articles related to the book appeared in Cinema Journal, Jump Cut, and other academic journals.〔http://www.jstor.org/discover/10.2307/20484449?uid=3739600&uid=2129&uid=2&uid=70&uid=4&uid=3739256&sid=21103389309851〕 He also produced a piece on U.S. radical film theory and the Spanish Civil War in 2010 in the journal Framework.〔(The Good Fight: The Spanish Civil War and U.S. Left Film Criticism )〕 More recently, he has written on Wes Anderson in the anthology Millennial Masculinity: Men in Contemporary American Cinema and on the political spaghetti Western's relation to Third Cinema in *The Journal of Popular Film and Television".〔http://www.tandfonline.com/doi/abs/10.1080/01956051.2014.881770?journalCode=vjpf20#preview〕 His new work addresses the rise of video activism and the new anarchism from the 1970s to the present. He has co-authored a piece with Peter Funke (University of South Florida) and Todd Wolfson (Rutgers University) called, "Suturing Working Class Subjectivities: Media Mobilizing Project and the Role of Media Building a Class-Based Social Movement" in *Communication, Capitalism, and Critique *.〔http://www.triple-c.at/index.php/tripleC/article/view/289/324〕 He has also published an article in *Culture, Theory, and Critique * that calls for film and media studies to take more materialist approaches towards the study activist media-making.〔http://www.tandfonline.com/doi/abs/10.1080/14735784.2013.795019#preview〕 *Jump Cut * published his article, "Anarchist Aesthetics and U.S. Video Activism," which can be read by going to: http://www.ejumpcut.org/currentissue/RobeAnarchists/index.html He frequently writes film reviews for Pop Matters: Two Days, One Night: http://www.popmatters.com/review/two-days-one-night/ Boyhood: http://www.popmatters.com/column/189527-boyhood-and-the-transcendence-of-the-everyday/ Jean Luc-Godard, Introduction to a True History of Cinema: http://www.popmatters.com/feature/194263-jean-luc-godard-a-montage-of-attractions/ American Revolutionary: http://www.popmatters.com/column/183787-american-revoutionary-the-evolution-of-grace-lee-boggs/ Spring Breakers: http://www.popmatters.com/column/173330-living-inside-the-cliche-spring-breakers/ Django Unchained: http://www.popmatters.com/pm/column/170637-unchained-but-not-unshackled-from-the-past/ 〔(Taking Hollywood Back: The Historical Costume Drama, the Biopic, and Popular Front U.S. Film Criticism )〕 == References == 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Christopher Robe」の詳細全文を読む スポンサード リンク
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